Ceramic Brussels isn’t just an art fair—it’s a dynamic platform celebrating the rich history, evolving present, and bold future of ceramics. More than a showcase, it’s a space where heritage and innovation converge, opening new possibilities for ceramic artistry in the contemporary world.
Here are some of the standout galleries that made an impression at this year’s event.
Hostler Burrows & HB381 Gallery (New York)
Bringing a Nordic perspective to the fair, Hostler Burrows & HB381 Gallery curated a striking selection of ceramics. Finnish artist Kristina Liska presented an organic sculpture in bold hues of red, black, and light blue, pushing the boundaries of form and texture. Equally captivating was Marianne Huotari’s Ceramic Rug, a wall-hanging piece that reinterprets rüille, a traditional Finnish wool-weaving technique, in ceramic form.
Galerie SCENE OUVERTE (Paris)
Awarded the Best Stand of 2025, Galerie SCENE OUVERTE impressed with its curated selection. Standing out was Vincent Dubourg’s towering four-meter-tall sculpture, Portes du Paradis, alongside Lino Claessens’ Modular Ceramic Bench, both pushing the artistic limits of the ceramic medium.
Sorry We’re Closed (Brussels)
Since its founding in 2008 by Sebastian Janssens, Sorry We’re Closed has built a strong reputation in the contemporary art world. This year, it earned the Best Solo Award for its exhibition of works by Japanese-American artist Jun Kaneko. Based in Omaha, Nebraska, Kaneko is known for his monumental ceramic sculptures and intricate abstract glazes, making his presence at the fair truly commanding.
YOD Gallery (Osaka)
Representing Japan at Ceramic Brussels 2025, YOD Gallery showcased the dynamic work of Mami Okayasu. Her ceramics, distinguished by vivid glazes and distinctive grainy textures, stood out as some of the most visually striking pieces of the event.
ACB Galerie (Budapest)
A strong advocate for Hungary’s neo-avant-garde artists, ACB Galerie highlighted the work of Lajos Certó. Originally a mechanical engineer, Certó transforms his fascination with space-age aesthetics into ceramics, crafting intricate pieces in shades of brown, blue, red, and white.
AIFA (Verbier, Switzerland)
Merging ancient tradition with modern technology, AIFA presented a solo exhibition by Nara Yuki, a Japanese artist who seamlessly integrates 3D CAD technology with the time-honored techniques of Ohi ware. Rooted in Kanazawa’s 17th-century ceramic traditions, Yuki’s work is a testament to how historical craftsmanship can flourish in the digital age.
With its diverse lineup of exhibitors, Ceramic Brussels 2025 reaffirms ceramics' place in contemporary art, proving that this ancient medium continues to inspire, innovate, and captivate.
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